More on KentOnline
More on KentOnline
While Rubens looks set to steal the limelight with the first art blockbuster of 2015, Kent plays its part in several major exhibitions, writes Lesley Bellew.
Women Fashion Power
To April 26
Design Museum, Shad Thames, London SE1 2YD
Kent’s Zandra Rhodes is among 25 high-profile women from the worlds of politics, culture, business and fashion who have contributed outfits to this Design Museum exhibition.
The fashion designer’s “Conceptual Chic” punk wedding dress is one of the highlight pieces alongside a Mansfield suit worn by Margaret Thatcher when she was elected as Tory leader in 1975 and a black sequin Jacques Azagury dress given to Diana, Princess of Wales, which she wore on her 36th birthday when she was reinventing herself after a grizzly divorce.
Co-curator Colin McDowell says the exhibition is “not simply about fashion but clothes”. He said: “It’s about how women have used clothes to empower themselves, to intimidate people and to make them feel sexy. It looks at how intelligent women take what they need from fashion.”
From Elizabeth I to Coco Chanel and Vivienne Westwood the storyline unfolds; the suffragettes ensured they looked like “proper” Edwardian ladies to stem the media portraying them as vulgar creatures while the First World War altered everything and women’s fashion evolved as quickly as their role in society changed. Hollywood glitz plays its part in the 20th century displays and there’s plenty of opportunity to reminisce over the 1970s wrap dress, flowery Laura Ashley creations and Dynasty-style power suits before entering the 21st century to focus on the 25 women who demonstrate how their clothes define them.
Grayson Perry: Who Are You?
To March 15
National Portrait Gallery, St Martin’s Place, London WC2H 0HE
Perry focuses on the theme of identity and Kent grabs the limelight with The Ashford Hijab, showing Muslim convert Kayleigh Khosravi and her children on the path from what he describes as “the temple of consumerism” at Ashford Designer Outlet Centre to the focal point of her Muslim faith at Mecca.
Perry said: “In this show I investigate our slippery sense of who we feel we are. Identity seems to be something that is only an issue when it is threatened or problematic. I have chosen individuals, families or groups who are in situations that highlight certain aspects of being human. I am hoping that they will throw some light on experiences we all share.”
Adventures of the Black Square: Abstract Art and Society 1915 – 2015
January 15 to April 6
Whitechapel Gallery, 77-82 Whitechapel High Street, London E1 7QX
This landmark exhibition will include more than 100 works by 100 modern masters and contemporary artists to ask how art relates to society and politics. As well as following the rise of Constructivist art from its revolutionary beginnings among the avant-garde in Russia and Europe, the exhibition sheds new light on the evolution of geometric abstraction.
Sargent: Portraits of Artists and Friends
February 12 to May 25
National Portrait Gallery, St Martin’s Place, London WC2H 0HE
Smallhythe’s Ellen Terry as Lady Macbeth is one of three John Singer Sargent’s great theatrical portraits to be featured in the exhibition, alongside Edwin Booth and La Carmencita, the wild Spanish dancer.
The collection of Sargent’s intimate and informal portraits of friends is being brought together for the first time and will include Robert Louis Stevenson, Claude Monet and Auguste Rodin.
Goya: The Witches and Old Women Album
February 26 to May 25
Courtauld Gallery, Somerset House, Strand, London WC2R 0RN
The Courtauld Gallery will present a ground-breaking exhibition which reunites for the first time all of
the surviving drawings from one of Goya’s celebrated private albums. They were never intended to be seen beyond a small circle of friends, giving him the freedom to create images which range from the humorous to the macabre and satirical.
Wellington: Triumphs, Politics and Passions
March 12 to June 7
National Portrait Gallery, St. Martin’s Place, London WC2H 0HE
This year sees the 200th anniversary of the Battle of Waterloo and this exhibition will explore not only Wellington’s political and military career but his personal life through portraits of family and friends.
Highlights include Goya’s portrait started in 1812 and modified twice to recognise Wellington’s battle honours and Thomas Lawrence’s 1815 portrait which became an iconic military image and was used as the basis of the design of the British £5 note from 1971 to 1991.
Magna Carta: Law, Liberty, Legacy
March 13 to September 1
The British Library, 96 Euston Road, London NW1 2DB
When granted by King John in 1215, Magna Carta was a practical solution to a political crisis but in the centuries since it has become a symbol of liberty and the rule of law.
As custodian of two original Magna Carta manuscripts, the British library will mark the 800th anniversary by drawing on its historical collections to bring to life a story that remains relevant today – and British artist Cornelia Parker has been commissioned to create a new artwork which will be unveiled on May 15.
Alexander McQueen – Savage Beauty
March 14 to July 19
Victoria & Albert Museum, Cromwell Road, London SW7 2RL
Book your timed tickets in advance if you want to celebrate the British designer’s talent and watch restaged runway shows. Perhaps combine your visit with Shoes: Pleasure and Pain (see below left).
Shoes: Pleasure and Pain
June 13 to January 31, 2016
Victoria & Albert Museum, Cromwell Road, London SW7 2RL
From an ancient Egyptian sandal decorated in pure gold leaf to elaborate contemporary shoes by Caroline Groves, Christian Louboutin and Manolo Blahnik, shoe lovers will be seduced by the artistry.
Barbara Hepworth
June 24 to October 25
Tate Britain, Millbank, London SW1P 4RG
Tate Britain will host London’s first major Barbara Hepworth exhibition in nearly half a century to highlight her importance on the international stage. From her garden gallery in St Ives, Cornwall, Hepworth became a global sculptor and the exhibition will present magnificent bronzes as well as pre-war carvings and rarely seen works including textiles, drawings, collages and photograms.
Audrey Hepburn: Portraits of an Icon
July 2 to October 18
National Portrait Gallery, St. Martin’s Place, London WC2H
Film star, fashion icon and humanitarian, Audrey Hepburn will feature in a photographic exhibition which coincides with the 65th anniversary of Hepburn’s career-changing performance at West End night club Ciro’s (in the space now occupied by the gallery’s public archive).
Ai Weiwei
September 19 to December 13
Royal Academy of Arts, Burlington House, Piccadilly, London, W1J 0BD
It seems when Ai Weiwei speaks the world listens. The artist’s visionary and increasingly political work will be surveyed through this first significant British view of his artistic output. The exhibition will include major works as well as including new work by the artist.
Frank Auerbach
October 9 to March 13
Tate Britain, Millbank, London SW1P 4RG
Britain’s most celebrated living artist spent his childhood on the North Downs after fleeing the Nazis in the Second World War. His parents died in concentration camps and so it was at Bunce Court, Lenham, that he was encouraged to enrol at Borough Polytechnic for night classes. He was taught by Vorticist David Bomberg; Bomberg had been taught by Sickert; Sickert learned from Degas; Degas from Ingres; Ingres was taught by David; David by Boucher; Boucher by Watteau; Watteau by Rubens.
Auerbach went on to St Martin’s School of Art from 1948 to 1952 and the Royal College of Art from 1952 to 1955. At his first solo show in 1956 he was criticised for his thick application of paint, but found support from the critic David Sylvester, who wrote of “the most exciting and impressive first one-man show by an English painter since Francis Bacon in 1949”. Expect an even more exciting and impressive exhibition in 2015.
Peter Lanyon’s Gliding Paintings
Courtauld Gallery, Somerset House, Strand, London WC2R 0RN
October 15 to January 17, 2016
This major exhibition explores a remarkable series of paintings by one of Britain’s most original post-war artists. Lanyon (1918-64) sought to create a new vision of landscape painting that could express both sensory experience and a profound understanding of our fragile existence within the world. During the 1950s he produced radical, near-abstract paintings of the tough coastal landscape of his native West Cornwall inspired by his experience of gliding.
Rubens and His Legacy
January 24 to April 10
Royal Academy of Arts, Burlington House, Piccadilly, London W1J 0BD
£16.50 (without donation £15). Concessions available. Friends of the RA and under 16s go free.
The first art blockbuster of 2015 will see Peter Paul Rubens’ reputation for painting generously endowed women, plump nymphs and cherubs reassessed by the Royal Academy of Arts to explore how he has influenced Europe’s best-loved painters over the last 400 years.
Curator Nico Van Hout has said he thinks the Flemish painter is “more revered than loved” and wants to “show him as the basis of a lot of other art as well. He is a very influential figure”.
The “Prince of Painters” show will be divided into six themes: Poetry; Elegance; Power; Lust; Compassion and Violence, with each section including major paintings by Rubens, followed by works from artists who drew direct inspiration from them: Van Dyck, Watteau, Turner, Delacroix, Manet, Cézanne, Renoir and Picasso.
Pilgrims Way Artists
May 15 to May 25 from 10am to 6pm (closes 4pm on May 25)
Tithe Barn, Lenham, Kent
Year on year the Pilgrims Way Artists Annual Summer Exhibition has been attracting more artists and visitors.
The 18th show, supported by Maidstone-based Lark Insurance, will showcase Peter Robson as its featured artist alongside 30 other local artists, potters and sculptors who will display around 350 works.
From May 16 to May 20 there will members’ craft stalls in the adjoining barn and art demonstrations from 6pm to 9pm.
A preview night will feature guest speaker Ian Collins, who curated the blockbuster show Masterpieces: Art and East Anglia at the Sainsbury Centre for Visual Arts in Norwich in 2013 and is author of John Craxton, the first full-scale monograph on the British artist (1922-2009) ‘who learned to love art in Kent’.
