The Second World War may seem an unlikely choice of backdrop for one of the nation's most beloved fairytales.

But Sir Matthew Bourne's take on Cinderella in such a powerful period proves itself to be a visual masterpiece.

Set to music by Prokofiev, the interpretation sees a chance meeting between Cinderella and RAF pilot Harry, who fall in love before being parted by the horrors of the Blitz.

Its wartime setting lends itself to this tale of love, at a time when people were parted and brought together, often at fast pace.

The way scenes are performed so dramatically, yet with such elegance and finesse, is remarkable.

The wicked step-mother stalks the stage in a comical fashion, dictating her wishes through brilliantly sharp actions.

There are hints of wit within routines too, especially from the step-sisters and step-brothers, adding a lighter tone to a sometimes darker themed tale.

The silver-suited Angel, played by Liam Mower, oozes charismatic charm, leading Cinderella to her eventual happiness with excellent flamboyancy.

Of course, Cinderella commands the spotlight for much of the show. But this can only be seen as a plus as her endearing nature and simplistic innocence is captured wonderfully by Ashley Shaw.

A striking and polished performance is given by Will Bozier, playing Cinderella's love interest and the pair share the stage with engaging grace, moving as one and sharing emotion convincingly.

The glitzy, glamorous ballroom contrasts undeniably well with the sights and sounds of war-torn London, which play a pivotal part in the play.

Sir Matthew Bourne never fails to impress with delightful and enchanting choreography, and Cinderella is certainly no exception.

Cinderella is at the Marlowe Theatre in Canterbury until Saturday, May 26.

For tickets, priced from £23.75, call 01227 787787, or visit marlowetheatre.com.