A classic Shakespearean comedy is given a 1940s twist in this fast-paced Lindley Players production.

Against a Second World War backdrop, The Merchant of Venice takes on a fresh new feel.

Director Roy Drinkwater, who stepped in after a last-minute casting change, is wonderful as Antonio. His paternal relationship with the young Bassanio - done great justice by Christy Hinchcliffe - is particularly touching.

Francesca Monk and Emma Thomas make a crafty and mirthful duo as the fair Portia and her maid Marissa. The coiffed and skirt-suited pair emerge as the play's heroines, proving far more wise and worldly than their well-meaning yet hapless husbands.

Special mention must also be given to Damian Kelly, for his hilarious portrayal of the good-natured but fundamentally misguided Prince of Arragon, attempting to win Portia's heart.

In a brilliant performance as Shylock, Tim Hinchcliffe brings a darker undertone to this otherwise light-hearted piece.

He reveals a human side to the Jewish moneylender, portraying the infamous antagonist as a proud man gone to ruin as he loses his daughter, his fortune and his dignity.

The historical context packs a hard punch towards the end of the play, as the reality of Judaism in 1940s Italy hits home, and it becomes clear that this comedy might just be Shylock's tragedy.

The Lindley Players succeeds in bringing The Merchant of Venice to life.

With punchy lines and excellent timing, the experienced cast make this 400-year-old play understandable, modern, and truly funny.

Even if it would usually take a pound of flesh for you to consider sitting through a Shakespearean play, I urge you to give this one a chance.

The play is running until tomorrow.

Tickets cost £10, and are available from the Playhouse box office.